Last week, I unveiled the finished left trophy, but I've actually been working on both trophies simultaneously.
Like the left trophy, the right trophy features a helmet that is on display at the Metropolitan Museum of Art.
Metropolitan Museum of Art |
I've mentioned that I like to use as much reference as possible, and when I was designing the trophies, I had a clear vision of heavily grained poles upon which to mount the paraphernalia. Where would such wood exist? I ended up photographing weathered telephone poles that face the Gulf of Mexico, near my neighborhood.
Moving down and behind the shield are a number of implements that are historically correct. (I have taken a little license with the baton in the form of a battering ram, if only because I wanted the pleasure of painting the ram's head!) The hand is the top of a Roman standard.
Unlike the shield of the left trophy, the design of this shield was never seen in Rome. Instead, I have borrowed the design of a cameo from the collection of Catherine the Great, below.
photo-illustration, Mark D. Ruffner | ancientrome.ru |
The base of the right trophy complements, but is not identical to the left trophy.
Below is the finished Right Trophy Wall.
click to enlarge |
.
No comments:
Post a Comment