![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-yDyWotGY7v9b54AzF1FpAz8nSsDV7XuDbbQNMXnoLVW14-y4nzRj_u5XPY-hYAGYhVZqik_fZ84xEnaD6yuYJIIn9z-9OfAaABEaVpvZ0Q_vHRFKHpFrt5RiTnFgA0zNjRYKiwQ4h0Gv/s1600/swed_bdrm.jpg) |
Photo by Fritz Von der Schulenburg | Neoclassicism in the North | Groth | Rizzoli, 1990 |
This is
not wallpaper. Far from it. You're looking at the 1823 bedroom of King Carl XIV Johan of Sweden. The room was meant to resemble a battlefield tent, and it was the popular bedroom fashion for the crowned heads of the Napoleonic era. A prime example is Empress Josephine's bedroom at Malmaison, below.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3jB9uS3GEge-wHrHGQAzokC-EC85ID9yZ_xFDUQjUpyFAZMPwsV8kDxJq2HJgujVS5Waq3dnPMao5igrRqWtuSiQStBE8Dv3q_4H1IhuJdkzwQrMR-K9yJQABfzfVvu2CksMlxwZcZsgI/s1600/Jos_bdrm.jpg) |
The French Empire Style | Alvar Gonzalez-Palacios | Hamlyn, 1970 |
For those unable to buy tons of satin and velvet, there was always wallpaper — and very regal wallpaper, too.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMIg8l2M94nwsb5Q4i6K-4kBlAbPRJFRr7atIAEfHxTXR2x4F7KKkJO8ErByODq1lDbjHjFufOkeRlq2Cmfk5XBCYi-dcWLwxa7dT0KKeBbxzCB2OA6rzTVQtlbOsJzK2CLrQ9PZi-1Vp2/s1600/jos_bdrm_wllp.jpg) |
L'Art de Vivre | The Vendome Press, 1989 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpE0vZ-gaKmkRlUvQ1V1AJZNPSUZn9KJTbVzwDe5jG8AtxNyFIgeA44V1Iemqs2esvAD7Wb_VsRYpHHl0q1jpZUwd_ATGnNZrt_bjF4KV0WeFh4HrB5Z4HDpNdVhyphenhyphenFbVv10OlmaieFMLmw/s1600/AD10_1995b.jpg) |
Architectural Digest, October, 1995 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4AV8h23cfsH-bTMJl-upFtTosUIXVPyIer2B3xhA3q-qZdnUQRRy8s4_9SlPLIyfLEwyIj_7HiQjbkvuMJZ3Bf2W0zwT2o0S3k-zL6gt3tp4fx0vWuy-XPlKZvCKpWzYMwWu4L5B9SdM0/s1600/cascading.jpg) |
L'Art de Vivre | The Vendome Press, 1989 |
The three previous images are the designs of Xavier Mader, who worked in France for the Dufour company, from 1808 to 1823. These wallpapers are an interesting social statement; while the nobility lost political relevance in France, and as the middle class grew, the preferred aesthetics remained that of the nobility.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyxX9vQdB5e_ENkx_2IVLjlQaX_6CTycSTehZd8ou5Du0ik44_HiSmw3kMKJ8ZsTUwWHLxm6qVXWTMVZmsH1a9Ov4wNzCyHeTiZyqpzlp8CFCrXgJ8ubeaQX4M7qpCAvbFmBBXl1cLCuZ1/s1600/wllp_prints.jpg) |
L'Art de Vivre | The Vendome Press, 1989 |
This anonymous, delicate French wallpaper design includes the framed prints below the fabric and the surface behind them — wallpaper of fabric upon fabric.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoNjuHYbWknG9LPJwRd-jeMM3Yi1KqMJgUnPEp24ciI8-dDpxNFdI-51ZyK1oM_AegvIJWSIiiWj6N24lqDwZJCoXZENbyZt-Vbc8IBVTQEnc94TmnAae2B90LIL5-8C7uywSUoZ66rQ15/s1600/Grk_reviv_wllp.jpg) |
Photo, Robert Lautman | Greek Revival America | Kennedy | Stewart Tabori & Chang, 1989 |
The Neoclassic fashion of curtained wallpaper extended to the United States. This is the dining room of the Campbell-Whittlesey House, in Rochester, New York. It dates to 1836.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXYh5BMeAtrbU-x0uHI40lJhvZjjPXZX_3ySg0e0uObPS3eCVbjaWdYvTRK3xuUliiKuRs8S_x4UwgXmgQhMhWhC0vOfXPWNjsyRrycIitSid5xno7hgyuZ3HCths36_DZxhoxJ7KXv643/s1600/cream_wllp.jpg) |
Photo by Mick Hales | In the Neoclassic Style | Fleischmann | Thames and Hudson, 1988 |
Because it's so classic, wallpaper of draped fabric has a very stylish, contemporary look.
Adelphi Paper Hangings is a company that hand blocks historic wallpapers, including colonial and Empire designs. The story of their custom designs is most interesting, and you can access them
here.
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You'll notice a new feature on my sidebar — "Antique Button of the Month." Every month I'll be sharing a new button from my own collection. I hope you enjoy them — I think you'll find that Victorian buttons were amazingly detailed and jewel-like.
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