Merry Christmas!

Dear Blogging Friends,

For the past couple of years, I've been collecting antique glass ornaments that are all silver or gold pine cones. Here's a close-up of this year's tree — wouldn't it be interesting to know the stories these old ornaments could tell!?

I wish you a Merry Christmas!

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Nostalgia, Bleeding and Cutting

When I worked as a commercial illustrator, I was not known by any one particular style, and so I developed a range of styles, and that kept me busy.

click to enlarge   |   © Mark D. Ruffner, 1983

This was a full-page newspaper ad I illustrated one Christmas for a local shopping center. For the line art I developed a technique of drawing on thick, absorbent paper with a felt-tip marker. The felt-tip marker would bleed, but slowly so, allowing me to control the line's "nubbiness." Note how I put my initials on the rocking horse's rear, where a brand would be!

The art director for this job was my good friend John Atkinson, with whom I worked on many fun projects — he came up with the concept (and I've mentioned him before, here). Together we spent one evening cutting amberlith overlays for each color.

George Rorick On Using Amberlith   |   www.channels.com/episodes/15488588

This job was done before the days of the computer, so each individual color would be indicated on an amberlith overlay.

Amberlith is a sheet of acetate that is covered with an orange gel that is both semi-transparent and peelable. The amberlith is placed over the artwork, and the areas for one particular color are cut with an exacto blade so that the amberlith covers those areas, and all the rest is peeled away. The step is repeated for each color, and then registration marks are put on each acetate so that all the colors register at printing time.

Producing full-color ads this way was a tedious job, and I sometimes created ads that had more than 20 color overlays! The Christmas ad above required only five.

While this process is now very much outdated in the digital world, it was the norm in newspaper work well into the 1990s.
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Christmas 1915

My grandfather Ruffner worked for the Eastman Kodak Company during its early days, so my father's childhood was as well documented as one's family life might have been decades later. (In fact we have indoor home movies from the 1920s.)

Here's an image of my father and grandmother looking at his first Christmas tree, in 1915. He was almost a year old. The lights are lit candles, and my father — who remembered later trees with candles — said that there was always a bucket of water nearby, and that the lit candle-viewing would last for only about a minute.

Here's a Christmas ornament from that very same long-ago tree. Every year it gets packed into a box of its own.

click to enlarge

Here's what my dad received as gifts in 1915. My grandfather made the wooden toy box, and then, rather than paint it, covered it with a tan wallpaper.

I hope you enjoyed this "Kodak moment!"

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