Thomas Edison's Winter Estate

This past weekend, friends and I went south to Ft. Meyers, Florida, to visit Thomas Edison's winter estate. It was a beautiful, sunny day that turned to showers, but not before I got some good photographs to share with you.

Edison bought the property in 1885, impressed with the fact that bamboo was growing there (he was already thinking that bamboo might be the perfect filament for his light bulb). He drew up plans for the property, left them with an architect, and then headed back north.

The house was prefabricated with lumber from Maine and brought to Ft. Meyers by boat, where it was all unloaded at this spot.

The house is in three parts. The left and middle sections were built first, with the main house in the middle — and at the left — a separate wing for the kitchen and dining room, and servants' quarters.

In 1886, Edison moved in with his new bride, Mina, who eventually redesigned the living arrangements as they look today. Under Mina Edison's plan, the left building became a sleeping house, the main house (in the middle) remained as it was, and then a duplicate of the main house was added on the right, turning the new building into a guest house. The Edison kitchen and dining room was in the guest house.

Here's a view of Mina and Thomas' bedroom. One is impressed by the fact that the Edisons lived very well, but also comparatively simply.

A fire hose is attached to the main house.

the main house

a view of the Edison living room

The Edison dining room was on the ground floor of the guest house.

The kitchen was also part of the guest house.

  The main house and guest house are surrounded by wide verandas.

In 1916, Henry Ford — who idolized Edison — built this house about 100 feet from the guest house, and the two families spent the remaining years vacationing together.

We were quite taken by these tin shingles on the Ford house.

photo by Hal Conroy

The Edison estate has many outbuildings and garden areas. Above is Edison's swimming pool and "tea house." The swimming pool is in great shape after 100 years because ...

... it was built with Edison's own cement, which contained a mixture of calcium, silicon, aluminum, iron and small amounts of other materials.

On the left is Mina's "Moonlight Garden." Electric lights are strung above it. On the right is a small office that Ford built for Edison, on the site of Edison's original vacation laboratory.

click to enlarge

One can also peek into the larger laboratory that Edison eventually built on the estate. Here he discovered, after experimenting with 1700 plants, that Goldenrod could provide a source for rubber. Tire maker Harvey Firestone was a partner in that endeavor. Firestone gave Edison a four-foot banyan tree in 1925, and today the tree (below) covers almost a full acre. Supposedly, it's the largest banyan tree in the United States.

Because of Thomas Edison's botanical research, the Edison estate has a great variety of trees from around the world, and many of them are quite large huge. The tree below is a Mysore Fig.

There is a museum on the grounds, and it contains many of the hundreds of products that Edison invented. As one wanders from display to display, one is impressed not just by his creative and fertile mind, but also by the fact that he clearly saw the big picture, and the natural progression of ideas. Just as he invented the light bulb and the generator to run it, he also invented the meter to measure how much energy had been used.

Someone once asked Thomas Edison, then nearing the end of his life, what he saw for the future. This is how he answered:

You Are What You Are

As I was growing up, the arrival of Time magazine was always one of my weekly high points. Because news reporting was not as instantaneous then as it is today, Time would feature an in-depth news trend, and that would almost always be reflected in a beautifully executed cover design. As a teenager, I started collecting Time covers, in large part because of the striking portraits of Boris Artzybasheff.

Artzybasheff was famous for illustrating anthropomorphic machines, and conversely, he would sometimes paint portraits of people as the object for which they were known. Artzybasheff's portrait of Buckminster Fuller as a geodesic dome is probably the most famous example.

Today I thought you might enjoy a collection of anthropomorphic portraits by a variety of artists. I call this posting, "You Are What You Are." Most of these will enlarge if you click on them.

Dave Stevenson depicted Frank Lloyd Wright as an architectural blueprint, for a Simpson Paper Company promotional brochure. Stevenson actually had a blueprint made of a black and white ink drawing.

Illustrator John Craig created this collage of Henry Ford for the same 1986 Simpson Paper Company brochure.

My favorite in the Simpson Paper Company series is this portrait of Charles Francis Richter, creator of the Richter Magnitude Scale. It's also by Dave Stevenson. Be sure to click on this and see it enlarged!

 

This architectural portrait of Le Corbusier is by Louis Hellman, a very witty architectural cartoonist. You can see his mausoleum to a baroness here.

This astonishing self-portrait of Scott Marr is in the form of the Australian natural elements that Scott draws, in part by burning into wood. It's an art form known as "pyrography." You can see more of Scott Marr's exceptional work by visiting my blogging friend Theresa Cheek's great posting about him, here.

This is a self-portrait patchwork quilt by quilter Mary Elmusa. It measures 30" x 30" and is made of dyed cotton fabric, stitched with metallic thread. This image and other great quilts can be found at kansasartquilters.org.

Milton Glaser of Push Pin Studios made this delightful portrait of Alexander Hamilton as a collage of banknotes and financial documents. It dates to the mid 1960s.

Charles Tsevis created this portrait of Steve Jobs using Apple products. It dates to 2008 and was found at iTech News Net, Latest Gadget News and Reviews.

This portrait doesn't fit into my theme exactly, but no posting of anthropomorphic portraits would be complete without an example by Giuseppe Arcimboldo. Were it to fit properly into my theme, this would be a portrait of a gardener. Actually it's believed to be a portrait of Arcimboldo's patron, Holy Roman Emperor Rudolf II (1552-1612). I personally would have refrained from depicting my patron as a stack of vegetables, but the portrait was presented to Rudolf II as Vertumnus, God of the Seasons. Rudolf II loved it, and commissioned a similar painting for each season.
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