Designer Spotlight: Steve Jobs

I've been reading Walter Isaacson's new biography of Steve Jobs, and it's an fascinating, unvarnished look at a very complex person. With a fierce drive that was both left-brain and right-brain, Jobs created groundbreaking tools that advanced technology, but which were also beautiful to look at and beautiful to use. He was an uncompromising perfectionist, and a man of style and taste. So I thought that today I would mention some of his own takes on design.

When the AppleII case was being designed, Steve Jobs looked at more than two thousand shades of Pantone beige and was not satisfied with any of them. He actually wanted to create a new shade of beige, but was talked out of it by Mike Scott, Apple's then-president.

Jobs scoured Macy's for product designs and fell in love with the Cuisinart (the image above is the vintage machine that he would have studied). He brought a Cuisinart back to the Apple headquarters and explained that he wanted a machine that looked "friendly." "User friendly" is a phrase that would become synonymous with the Macintosh, and white would become Steve Jobs' color of preference.

Ansel Adams   |  Moonrise, Glacier Point, 1948

At his first house, Jobs had no chairs, but he hung Ansel Adams photographs on the wall and sat on the floor next to an antique Tiffany floor lamp.

Courtesy of the Neustadt Collection of Tiffany Glass   |   tms.org

Steve Jobs was a great admirer of Louis Comfort Tiffany, and he was so intrigued by Tiffany's ability to mass-produce fine art, that he took the whole Macintosh team to visit a Tiffany exhibit. He wanted them to know they were not just great programmers — they were artists!

Bill Atkinson, one of Macintosh's lead programmers, came up with the algorithm that would allow the Macintosh to draw circles and ovals. Jobs said that drawing circles, ovals and squares wouldn't be good enough, that users would need to draw squares with rounded corners. When Atkinson scoffed, Jobs took him outside and within three blocks pointed to about 18 examples, including a No Parking sign. Atkinson was sold and programmed a tool for making squares with rounded corners.

grassrootsmotorsports.com   |   apple-history.com

At the time that the casing for the Macintosh was being designed, Steve Jobs was driving a Porche 928. He said he wanted the computer to look like the classic car. I don't see the connection, but if you look at the back of the Porche, you'll definitely see the back of those later, colorful iMacs.

Calligraphy by Hermann Zapf  |  Champion Papers

While at Reed College, Steve Jobs audited a calligraphy class. He loved the beauty of script, and it is one of his legacies that today we have many handsome computer type fonts from which to choose.

Incidentally, it was Steve Jobs who championed WYSIWYG (pronounced "wiz-ee-wig"), which is an acronym for "What you see is what you get." Older readers will remember when computer type was reversed from black screens!

And now, back to my reading ...
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You Are What You Are

As I was growing up, the arrival of Time magazine was always one of my weekly high points. Because news reporting was not as instantaneous then as it is today, Time would feature an in-depth news trend, and that would almost always be reflected in a beautifully executed cover design. As a teenager, I started collecting Time covers, in large part because of the striking portraits of Boris Artzybasheff.

Artzybasheff was famous for illustrating anthropomorphic machines, and conversely, he would sometimes paint portraits of people as the object for which they were known. Artzybasheff's portrait of Buckminster Fuller as a geodesic dome is probably the most famous example.

Today I thought you might enjoy a collection of anthropomorphic portraits by a variety of artists. I call this posting, "You Are What You Are." Most of these will enlarge if you click on them.

Dave Stevenson depicted Frank Lloyd Wright as an architectural blueprint, for a Simpson Paper Company promotional brochure. Stevenson actually had a blueprint made of a black and white ink drawing.

Illustrator John Craig created this collage of Henry Ford for the same 1986 Simpson Paper Company brochure.

My favorite in the Simpson Paper Company series is this portrait of Charles Francis Richter, creator of the Richter Magnitude Scale. It's also by Dave Stevenson. Be sure to click on this and see it enlarged!

 

This architectural portrait of Le Corbusier is by Louis Hellman, a very witty architectural cartoonist. You can see his mausoleum to a baroness here.

This astonishing self-portrait of Scott Marr is in the form of the Australian natural elements that Scott draws, in part by burning into wood. It's an art form known as "pyrography." You can see more of Scott Marr's exceptional work by visiting my blogging friend Theresa Cheek's great posting about him, here.

This is a self-portrait patchwork quilt by quilter Mary Elmusa. It measures 30" x 30" and is made of dyed cotton fabric, stitched with metallic thread. This image and other great quilts can be found at kansasartquilters.org.

Milton Glaser of Push Pin Studios made this delightful portrait of Alexander Hamilton as a collage of banknotes and financial documents. It dates to the mid 1960s.

Charles Tsevis created this portrait of Steve Jobs using Apple products. It dates to 2008 and was found at iTech News Net, Latest Gadget News and Reviews.

This portrait doesn't fit into my theme exactly, but no posting of anthropomorphic portraits would be complete without an example by Giuseppe Arcimboldo. Were it to fit properly into my theme, this would be a portrait of a gardener. Actually it's believed to be a portrait of Arcimboldo's patron, Holy Roman Emperor Rudolf II (1552-1612). I personally would have refrained from depicting my patron as a stack of vegetables, but the portrait was presented to Rudolf II as Vertumnus, God of the Seasons. Rudolf II loved it, and commissioned a similar painting for each season.
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